November keeps moving. The darkness comes earlier every day — sunset at 4:30 PM now, the city wrapped in gray by the time I leave Amazon. I've started cooking dinner in the dark, which is not literally true (I have overhead lighting) but feels metaphorically accurate: I'm cooking in the dark, navigating by feel, trusting my hands to know what my eyes can't see. That's how the Korean cooking works now. I don't measure gochugaru anymore. I don't time the kimchi jjigae. My hands know. Seven months of practice have embedded the knowledge in my muscles, and I trust it the way I trust my coding instincts — not because it's infallible but because it's earned.
In session this week, Dr. Yoon introduced a concept that stopped me: "ambiguous loss." It's a term from family therapy, originally used for families where someone is physically absent but psychologically present (missing persons, soldiers MIA, estranged family). Dr. Yoon says adoption is the ultimate ambiguous loss: my birth mother is alive (probably), exists (somewhere), but is absent from my life. She is missing but not dead. Gone but not gone. The loss is real but unresolvable — I can't grieve her the way you grieve someone who died, because she's not dead, but I also can't have her, because she's not here. The ambiguity of it is what makes it so hard. You can't complete a grief that has no endpoint. You just carry it.
I carried this concept through the week like a weight. Ambiguous loss. The phrase is precise in the way I appreciate — clinical, descriptive, naming a thing I've felt but couldn't articulate. My birth mother is my ambiguous loss. Korea is my ambiguous loss. The language, the food, the culture — all ambiguous losses, things that are mine but that I don't have, things that exist but that I can't access without effort, things that should be as natural as breathing but require the active work of learning and cooking and studying because the natural transfer was interrupted when I was three days old.
I cooked to process. This week: kimchi mandu — Korean dumplings filled with seasoned pork, tofu, kimchi, and vegetables. Mandu are labor-intensive: the filling has to be mixed and seasoned, the wrappers (I bought pre-made, because making dumpling wrappers from scratch is a project I'm not ready for) have to be filled and crimped, and the crimping is a skill — a physical, handed-down, mother-to-daughter skill that I don't have because no one handed it down to me. I watched Maangchi's video three times, studying her crimp technique, the way she folds the wrapper over and pinches it into a half-moon with a ruffled edge. My first ten dumplings were ugly — misshapen, leaking filling, the crimp uneven. My second ten were better. By the thirtieth dumpling, I had something approaching competence: a consistent shape, a reliable seal, a crimp that wouldn't win any beauty contests but would keep the filling inside during cooking.
I pan-fried them — the mandu, golden and crispy on the bottom, steamed on top — and ate them with a soy-vinegar dipping sauce, and the combination of crispy wrapper, juicy filling, and tangy sauce was one of the best things I've made. Mandu. Korean dumplings. A dish that Korean families make together, gathering around a table, everyone crimping, everyone talking, the making as communal as the eating. I made them alone, in my kitchen, in the dark of November, teaching myself a skill that should have been taught to me by a Korean mother around a Korean table, and the aloneness of it was both sad and defiant. Sad because I should have had that table. Defiant because I made the mandu anyway. Without the table. Without the mother. Without anyone crimping beside me. I made them anyway.
Saturday: Bellevue. I brought mandu. Karen tried one and said, "These are like potstickers!" I said, "They're mandu, Mom. Korean dumplings." She said, "Right, of course," with the slightly chastened look of a woman who is trying very hard to learn the correct terminology for her daughter's cuisine and keeps defaulting to the Americanized version. I don't blame her. I correct her gently. She corrects gently too. We're learning.
David ate six mandu and said, "These are great," which is the most words David has ever devoted to any food I've made. Six mandu. The man ate six. I'll call that a triumph over ambiguous loss. Six small triumphs, golden and crispy, eaten in a Bellevue kitchen by a Boeing engineer who didn't know Korean food existed until his Korean daughter started making it. That's something. That's week thirty-four.
The mandu were a milestone — thirty dumplings crimped alone, in November dark, without anyone to teach me — but they also left me hungry for more of that same pantry: soy sauce, sesame oil, ginger, the flavors that have been anchoring my kitchen for seven months. This skinny chicken fried cauliflower rice has become my weeknight follow-through: the same earned instincts, the same Asian-leaning ingredient list, but faster and lighter, the kind of dish I can make after a long commute home when the city is already gray by 4:30 and my hands know where everything is without looking.
Skinny Chicken Fried Cauliflower Rice
Prep Time: 15 min | Cook Time: 20 min | Total Time: 35 min | Servings: 4
Ingredients
- 1 lb boneless skinless chicken breast, cut into small bite-sized pieces
- 1 large head cauliflower, grated or pulsed into rice (about 4 cups), or 4 cups store-bought cauliflower rice
- 2 large eggs, lightly beaten
- 1 cup frozen peas and diced carrots, thawed
- 3 cloves garlic, minced
- 1 teaspoon fresh ginger, grated
- 3 tablespoons low-sodium soy sauce, divided
- 1 tablespoon sesame oil
- 2 tablespoons vegetable oil, divided
- 3 green onions, thinly sliced
- 1/2 teaspoon white pepper
- Salt to taste
- Optional: sriracha or chili garlic sauce for serving
Instructions
- Prep the cauliflower rice. If using a whole head, cut into florets and pulse in a food processor until the texture resembles coarse rice. Do not over-process. Spread on a clean kitchen towel and press out as much moisture as possible — this step keeps the rice from steaming and going mushy in the pan.
- Cook the chicken. Heat 1 tablespoon vegetable oil in a large skillet or wok over medium-high heat. Add chicken pieces in a single layer, season lightly with salt and white pepper, and cook without stirring for 2 minutes to develop a sear. Stir and continue cooking 3–4 minutes until cooked through. Add 1 tablespoon soy sauce, toss to coat, and transfer chicken to a plate.
- Scramble the eggs. In the same pan, reduce heat to medium and add a small drizzle of oil if needed. Pour in the beaten eggs and scramble gently, breaking into small curds. Remove to the plate with the chicken before they are fully set — residual heat will finish them.
- Build the aromatics. Increase heat back to medium-high. Add the remaining 1 tablespoon vegetable oil. Add garlic and ginger and stir constantly for 30 seconds until fragrant, being careful not to burn.
- Fry the cauliflower rice. Add the cauliflower rice to the pan in an even layer. Let it cook undisturbed for 2 minutes to develop some color on the bottom, then stir and cook another 3–4 minutes, stirring occasionally, until tender and lightly golden in spots.
- Add vegetables and season. Add the peas and carrots, remaining 2 tablespoons soy sauce, and sesame oil. Stir everything together and cook 2 minutes until vegetables are heated through and the cauliflower rice is evenly coated.
- Combine and finish. Return the chicken and eggs to the pan. Toss everything together over high heat for 1–2 minutes. Taste and adjust soy sauce or salt. Remove from heat and fold in half the sliced green onions.
- Serve. Divide into bowls and top with remaining green onions. Serve immediately with sriracha or chili garlic sauce on the side if desired.
Nutrition (per serving)
Calories: 285 | Protein: 33g | Fat: 11g | Carbs: 16g | Fiber: 5g | Sodium: 570mg