Late February. The second book draft is nearly complete — eleven of twelve chapters done, the last chapter the hardest, the chapter about the present, the chapter that says: here is where I am. Here is the apartment and the daughter and the chipped bowl and the practice. Here is the woman who was neither and both and who has made the neither-and-both a country. The chapter resists being written because the present resists being captured — the present is moving, the present is alive, the present is the soup being stirred right now, and you cannot photograph a stirring spoon and say "here is the soup." The soup is the stirring. The present is the living. The living resists the page.
I made Fumiko's amazake — sweet fermented rice drink — and drank it warm in bed with the draft of the last chapter on my lap and the pen in my hand and the words not coming, which is what happens when the words are too true and the truth is too close and the closeness is the problem. The closeness will resolve. The words will come. The words always come, eventually, the way the dashi comes after the overnight soak: slowly, through patience, through the faith that the kombu knows what it's doing even when I do not.
Miya's Japanese is now good enough that she occasionally corrects my pronunciation. "Mama, it's not 'ka-BO-cha.' It's 'KA-bo-cha.'" The correction is both humbling and thrilling — humbling because my eight-year-old — seven-year-old — is correcting my Japanese, thrilling because the correction means she knows more than I do, in this one area, which means the teaching has exceeded the teacher, which means the chain is not just holding but growing, the links getting stronger with each generation.
I started planning the Miya birthday party — August, the usual chaos, the cooking-party format that has become tradition. This year's theme: "Miya's Kitchen." Not Fumiko's kitchen. Not Mama's kitchen. Miya's kitchen. The possessive has shifted. The kitchen belongs to the next generation now. The shift is the goal. The shift has always been the goal.
Fumiko’s amazake is not always in the pantry — it takes time and faith, like the dashi, like the last chapter — and on the nights it isn’t, I reach for the next closest thing: a mug of something warm, dark, and made entirely by hand. I put together this homemade hot cocoa mix in a big batch so it’s always ready, the way I wish the words were always ready, the way I hope Miya’s kitchen will always be stocked. It’s the kind of recipe she could make herself now — she’d probably correct my measurements the same way she corrects my Japanese — and that feels exactly right.
Homemade Hot Cocoa Mix
Prep Time: 10 minutes | Cook Time: 5 minutes | Total Time: 15 minutes | Servings: 16 (about 16 mugs per batch)
Ingredients
- 2 cups powdered sugar
- 1 cup unsweetened cocoa powder
- 2 1/2 cups powdered whole milk (or non-dairy alternative)
- 1 teaspoon fine sea salt
- 2 teaspoons cornstarch
- 1/2 teaspoon cinnamon (optional, but recommended)
- 1 cup mini chocolate chips or finely chopped dark chocolate
- Per serving: 3/4 cup hot water or warm milk
Instructions
- Sift dry ingredients. Sift the powdered sugar and cocoa powder together into a large bowl to remove any lumps. This step makes for a silky, smooth mix.
- Combine. Add the powdered milk, salt, cornstarch, and cinnamon (if using) to the bowl. Whisk everything together until fully combined and uniform in color.
- Add chocolate. Stir in the mini chocolate chips or chopped dark chocolate. These melt into each mug as you add hot liquid, adding richness.
- Store. Transfer the mix to an airtight jar or container. It will keep at room temperature for up to 3 months.
- To serve. Add 3 to 4 tablespoons of mix to a mug. Pour in 3/4 cup of hot water or warmed milk, stirring until fully dissolved. Taste and adjust the amount of mix to your preference. Top with marshmallows, whipped cream, or a pinch of flaky salt if you like.
Nutrition (per serving)
Calories: 180 | Protein: 4g | Fat: 5g | Carbs: 32g | Fiber: 2g | Sodium: 95mg