← Back to Blog

Asian Beef Strips — The Kitchen as Anchor, the Recipe as Return

A January week of wet sidewalks. The shiso is cut back. The garden is dormant. Yoga Tuesday and Thursday at the studio. The classes were full. The body was the body.

Miya, 9, can shape onigiri without falling apart. She uses wet hands. She knows the order without being told. Barbara called Sunday. We talked for twenty minutes. She told me about the play she is directing. I told her about the kitchen.

Tamagoyaki Wednesday morning. Fumiko's pan. The thin layers. The careful folding. The slice into rectangles. The breakfast.

The week held. The work continues.

The neighbor's dog barked at nothing for twenty minutes Sunday afternoon. The neighbor apologized. I told him I had been writing through it and the white noise was helpful. He laughed.

Made dashi at five-thirty AM. Ten minutes in the kitchen alone with the kombu and the bonito flakes. The day's first prayer.

Therapy Tuesday. We talked about the wedding. We talked about Barbara. We talked about Fumiko. The hour passed. The work continues.

I cleaned the kitchen Sunday afternoon. Wiped the counters. Reorganized the drawer where the chopsticks live. Sharpened the knife. The reset was the reset.

Coffee with a friend Saturday morning. We talked about books, about kids, about the way our forties became our fifties. The talking is the thing.

A reader sent me a handwritten card this week. Her grandmother had cooked Japanese food in 1970s Boise. She had felt alone in it. The newsletter, she wrote, made her feel less alone. I taped the card to the wall above my desk.

A panic flicker Tuesday evening, brief, manageable. I breathed. I drank water. I went outside and walked around the block. The flicker passed. The body did its work.

I made onigiri for tomorrow's lunch. Three triangles. Salted plum in the center. Wrapped in nori. The cling wrap. The drawer where I keep them. The system.

Sunday farmers market in the rain. The vendors knew me. The Hood River apple stand had honeycrisps. I bought four pounds.

The rain in long sheets Tuesday afternoon. I made tea. I watched it from the porch. The cottonwoods on the next block were silver in the wet.

Miya's old room is now my office. The desk is by the window. The shiso outside. The newsletter in progress. The afternoons are quiet.

Miya is in elementary school. The Saturday Japanese school continues. She still complains. She is still going.

Tomi watered the garden Saturday morning. The shiso was head-high. The shishito peppers were producing. The kabocha was running on the fence.

The cat was the cat. Mochi at fifteen sleeps most of the day. She still eats with enthusiasm. She still sits at the kitchen window watching the back garden.

Yoga Tuesday morning. The studio in Sellwood. Eight students. The class was the class.

I read for an hour Sunday night. A book of essays by a Korean-American writer about food and grief. I underlined a paragraph that said exactly what I had been trying to say in the newsletter for months.

I drove to Uwajimaya Wednesday. Kombu, bonito flakes, white miso, a small bag of mochiko for tomorrow's project. The store smells like home.

I texted Miya a photo of the shiso. She texted back a heart and a single word: home.

I wrote at the kitchen table from six to eight. The newsletter was forming. The opening sentence was the hard sentence — they always are. I rewrote it five times. The fifth time was the right time.

The tamagoyaki was Wednesday’s quiet ritual—Fumiko’s pan, the thin layers, the careful folding—but by the end of the week I wanted something that could carry dinner rather than anchor a breakfast, something savory and direct that rewarded the effort of a long day without demanding ceremony. These Asian beef strips are that recipe: soy and ginger and a little sesame heat, the strips seared fast and served over rice, the kind of meal that signals to everyone at the table that the cook was paying attention. I make them when the week has held, as a small acknowledgment that it did.

Asian Beef Strips

Prep Time: 15 min | Cook Time: 10 min | Total Time: 25 min | Servings: 4

Ingredients

  • 1 1/2 lbs flank steak or sirloin, sliced thin against the grain
  • 3 tablespoons soy sauce
  • 1 tablespoon sesame oil
  • 1 tablespoon rice vinegar
  • 1 tablespoon honey or brown sugar
  • 2 teaspoons fresh ginger, grated
  • 3 cloves garlic, minced
  • 1/2 teaspoon red pepper flakes (optional)
  • 1 tablespoon neutral oil (such as avocado or vegetable)
  • 2 green onions, sliced thin, for garnish
  • 1 teaspoon sesame seeds, for garnish
  • Steamed white rice, for serving

Instructions

  1. Make the marinade. In a medium bowl, whisk together soy sauce, sesame oil, rice vinegar, honey, ginger, garlic, and red pepper flakes if using. Reserve 2 tablespoons of the marinade in a small bowl for finishing.
  2. Marinate the beef. Add the sliced beef to the remaining marinade and toss to coat. Let rest at room temperature for at least 10 minutes, or cover and refrigerate for up to 2 hours.
  3. Heat the pan. Set a large skillet or wok over high heat. Add the neutral oil and let it shimmer—the pan should be very hot before the beef goes in.
  4. Sear the strips. Working in two batches to avoid crowding, add the beef in a single layer. Sear without moving for 1 to 2 minutes until browned on the bottom, then toss and cook another minute until just cooked through. Transfer to a plate and repeat with the second batch.
  5. Finish the sauce. Return all the beef to the pan, pour over the reserved marinade, and toss over high heat for 30 seconds until glossy and fragrant.
  6. Serve. Spoon over steamed rice and garnish with sliced green onions and sesame seeds. Serve immediately.

Nutrition (per serving)

Calories: 310 | Protein: 34g | Fat: 14g | Carbs: 9g | Fiber: 0g | Sodium: 620mg

Jen Nakamura
About the cook who shared this
Jen Nakamura
Week 515 of Jen’s 30-year story · Portland, Oregon
Jen is a forty-year-old yoga instructor and divorced mom in Portland who traded panic attacks for plants and never looked back. She's Japanese-American on her father's side — third-generation, with a family history that includes wartime internment and generational silence — and white on her mother's. Her cooking is plant-forward, intuitive, and deeply influenced by both her Japanese grandmother's techniques and the Pacific Northwest farmers market she visits every Saturday rain or shine. Which in Portland means mostly rain.

How Would You Spin It?

Put your own twist on this recipe — what would you add, remove, or swap?